< July >
SMTWTFS
    123
45678910
11121314151617
18192021222324
25262728293031
Join the Hallwalls Mailing List for updates on exhibitions, performances, parties and more!


Our thanks to all volunteers and sponsors who helped make Artists & Models: STIMULUS such a successful and fun event. Visit our page to see some images and videos and read some reviews.
Myles Slatin
March 3, 1924—May 9, 2010

Myles Slatin, Ph.D., of Buffalo, retired UB English professor and long-time member and supporter of Hallwalls, died on May 9, 2010, after a long illness. He was 86.

Born in Queens, Myles attended Flushing High and Queens College and served in the Army Signal Corps during World War II, learning Japanese as part of a team that cracked enemy codes. After the War he earned his doctorate at Yale University with a study on Ezra Pound, then moved to Buffalo in 1952 when he became an associate professor in the University of Buffalo English Department, where he taught Romantic and modern poetry and was an early proponent of women writers and feminist activists. He also explored contemporary authors and popular fiction in his classes, which are fondly remembered by generations of students. As an associate dean in the 1960s, Myles was active in the University of Buffalo's transition into the SUNY system, recruiting numerous faculty members and participating in the recruitment of then UC Berkeley Chancellor Martin Meyerson as UB's new President. Myles was director of Lockwood Library from 1969 to 1973, during a period of student protests when the library experienced vandalism, including numerous small bombings. He retired from the UB faculty in 1994 after 42 years.

Long an avid art collector, tireless gallerygoer, and patron of local artists, Myles focused almost entirely on visual art after he retired from teaching literature, taking drawing and painting classes at UB and renting a studio on Buffalo's West Side to pursue his own art. He and his wife of 57 years, Diana Bluestein Slatin, a distinguished fine artist and fashion illustrator, were deeply involved with Hallwalls on both its Visual Artists Committee and Board of Directors. When Diana died in 2003, Myles generously invited friends who were so inclined to make donations in Diana's memory to Hallwalls, as many did. In the same spirit, Myles's surviving son Peter and other family members have indicated that memorial gifts in Myles's name may be made to either Hallwalls or Jewish Family Services of Buffalo.

Gifts to Hallwalls in Memory of our admired friend Myles Slatin will be acknowledged individually as well as publicly here, and we thank his family for their thoughtfulness in making this suggestion. As of June 9th, generous gifts in Myles's memory have been gratefully received from Nancy A. Hamilton, John M. Jablonski, and Harvey J. & Deborah Breverman.
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696
 
IN THE GALLERY:
From Jul. 30, 2010
through Aug. 31, 2010

Gallery hours:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

Hallwalls Members Exhibition: Faster Pussycat, Spill! Spill!

Sun., Mar. 11, 1990
ABSTRACT FILMS OF THE 1920'S:
Presented at:
Hallwalls

PRESENTED BY FILMMAKER AND SCHOLAR WILLIAM MORITZ. Films include LICHTSPIEL OPUS NR. 1(Walter Ruttmann, 1921, black and white, 10min); FILM IS RYTHMUS (Hans Richter, 1921, black and white, 1min); LE RETOUR A LA RAISON (Man Ray, 1923, black and white, 2min); WACHS EXPERIMENTE (Oskar Flschinger, 1923, black and white, 8min); OPUS NR. 2, OPUS NR. 3, and OPUS NR. 3 (Walter Ruttmann, 1922 and 1923, black and white, 10min); DIAGONAL SYMPHONY (Viking Eggling, 1924, black and white, 6min); BALLET MECHANIQUE (Dudley Murphey, with Fernand Leger and Man Ray, music by George Anthell, 1924, black and white, 18min); ENTR'ACTE (Rene Clair, with Fracis Picabia, music by Eric Satie, 1924, black and white, 20min); JEUX DES REFLET ET DE LA VITESSE (Henri Chomette, 1923-25, black and white, 3min); ANEMIC CINEMA (Marcel Duchamp, 1926, black and white, 6min); R-1 EIN FORMSPIEL (Oskar Fischinger, 1925-27, black and white, 6min); ETUDE CINEGRAPHIC SUR UNE ARABESQUE (Germaine Dulac, 1928, black and white, 5min); DISQUE 957 (Germaine Dulac, 1929, black and white, 6min); IN DER NACHT (Walter Ruttmann, 1931, black and white, 6min).