< July >
SMTWTFS
    123
45678910
11121314151617
18192021222324
25262728293031
Join the Hallwalls Mailing List for updates on exhibitions, performances, parties and more!


Our thanks to all volunteers and sponsors who helped make Artists & Models: STIMULUS such a successful and fun event. Visit our page to see some images and videos and read some reviews.
Myles Slatin
March 3, 1924—May 9, 2010

Myles Slatin, Ph.D., of Buffalo, retired UB English professor and long-time member and supporter of Hallwalls, died on May 9, 2010, after a long illness. He was 86.

Born in Queens, Myles attended Flushing High and Queens College and served in the Army Signal Corps during World War II, learning Japanese as part of a team that cracked enemy codes. After the War he earned his doctorate at Yale University with a study on Ezra Pound, then moved to Buffalo in 1952 when he became an associate professor in the University of Buffalo English Department, where he taught Romantic and modern poetry and was an early proponent of women writers and feminist activists. He also explored contemporary authors and popular fiction in his classes, which are fondly remembered by generations of students. As an associate dean in the 1960s, Myles was active in the University of Buffalo's transition into the SUNY system, recruiting numerous faculty members and participating in the recruitment of then UC Berkeley Chancellor Martin Meyerson as UB's new President. Myles was director of Lockwood Library from 1969 to 1973, during a period of student protests when the library experienced vandalism, including numerous small bombings. He retired from the UB faculty in 1994 after 42 years.

Long an avid art collector, tireless gallerygoer, and patron of local artists, Myles focused almost entirely on visual art after he retired from teaching literature, taking drawing and painting classes at UB and renting a studio on Buffalo's West Side to pursue his own art. He and his wife of 57 years, Diana Bluestein Slatin, a distinguished fine artist and fashion illustrator, were deeply involved with Hallwalls on both its Visual Artists Committee and Board of Directors. When Diana died in 2003, Myles generously invited friends who were so inclined to make donations in Diana's memory to Hallwalls, as many did. In the same spirit, Myles's surviving son Peter and other family members have indicated that memorial gifts in Myles's name may be made to either Hallwalls or Jewish Family Services of Buffalo.

Gifts to Hallwalls in Memory of our admired friend Myles Slatin will be acknowledged individually as well as publicly here, and we thank his family for their thoughtfulness in making this suggestion. As of June 9th, generous gifts in Myles's memory have been gratefully received from Nancy A. Hamilton, John M. Jablonski, and Harvey J. & Deborah Breverman.
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696
 
IN THE GALLERY:
From Jul. 30, 2010
through Aug. 31, 2010

Gallery hours:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

Hallwalls Members Exhibition: Faster Pussycat, Spill! Spill!

Thu., Feb. 18, 2010 at 8:00 p.m.
Hallwalls & Resurrection Music present
John Lindberg’s TriPolar
$15 general admission, $10 members/students/seniors

Don Davis (reeds)
John Lindberg (contrabass)
Kevin Norton (drums, vibraphone)

This is the new ensemble of bassist/composer/producer John Lindberg.

Featuring multi-reed instrumentalist Don Davis—renowned for his formidable work with the Microscopic Septet and a wide array of other associations ranging from the Swollen Monkeys to Levon Helm, Don now brings his unique voice and musical vocabulary to TriPolar.

Also featuring master percussionist Kevin Norton doubling on drums and vibraphone—well-known for his numerous albums as a leader in his own right, and for his work with artists as diverse as Anthony Braxton, Milt Hinton and Tony Malaby. Kevin is a long time colleague of Lindberg in various other projects and his special energy brings a vital dynamic to TriPolar.

John Lindberg has recorded over fifty albums that feature his original compositions, while touring worldwide for over thirty years. In addition to his voluminous work as an ensemble leader, he has established himself in the music world through his 32-year run with the String Trio of New York, and through compelling associations with artists such as Jimmy Lyons, Wadada Leo Smith, Tony Coe, Steve Lacy, Albert Mangelsdorff and many others.

Composer/bassist John Lindberg embarked on his professional career in 1975 at the age of sixteen, after having attended the Creative Music Studio in Woodstock, N.Y., where he had pursued private contrabass studies with Dr. David Izenzon and Dave Holland. He consequently immersed himself in performing music that covered a wide diversity of genres, in equally diverse venues. The following year he settled in New York City and co-founded the String Trio of New York, a composers collective performance unit that has gone on to produce eighteen albums of original music and present hundreds of concerts worldwide. The trio celebrates its 32nd anniversary season during 2009/10.

In 1979 he formed his first ensemble dedicated to the performance of his own compositions, and since has recorded over fifty albums that feature his works. This same year he founded Lindy Publishing Company, which to this day is the exclusive publisher of his works.

His ensembles and duo collaborations have performed hundreds of concerts throughout Europe, North and South America, East Asia and the Middle East. As a bassist he is featured on over eighty albums, including landmark recordings with Anthony Braxton, Jimmy Lyons, Steve Lacy, Albert Mangelsdorff, Tony Coe, and Wadada Leo Smith, among other luminary figures of creative music.

In 1986 be became President of Sound Directions, Inc., a not-for-profit arts presentation organization, a position he still holds. Currently he is active as a solo contrabassist, composing for, performing and recording with varied ensemble projects, and with the String Trio of New York.

John stays actively engaged as an educator through the presentation of workshops and lecture/demonstrations on composition, improvisation, and the interconnection of music with the humanities and sciences.

He is often engaged as an artist-in-residence at schools, community centers and universities throughout the world. Most recently he served in this capacity as special faculty at California Institute of the Arts in Valencia, California. Recently, he has expanded his work in the role of producer. Through his LindyEditions label, he has released productions and co-productions of cutting-edge music, video and film projects.

For further information please visit:

www.johnlindberg.com