HARP


Hallwalls Artists-in-Residence Project (HARP) is a successful multidisciplinary artists residency program, which is funded in most years (with the exceptions of 1996–97, 1997–98, and 2004–05) by the National Endowment for the Arts, a federal agency; in most years by The Andy Warhol Foundation for the Visual Arts (for visual & media artists); and from 2008 to 2010 by the Nimoy Foundation (for visual & media artists). Some musicians in residence since 2010 (Roscoe Mitchell in 2010, Wadada Leo Smith in 2012) have been supported in addition or solely by the Jazz Presenting Program of Chamber Music America (CMA). The goal of the project is to support invited artists through professional stipends, materials and fabrication budgets, workspace, access to equipment and technical support, public presentations of their work in solo exhibitions, site-specific installations, screenings, and concerts, and interaction with local artists and communities through collaboration, lectures, master classes, workshops, and in-school residencies. Coming next year, three new HARP projects, made possible with major grants from the National Endowment for the Arts (NEA), The Andy Warhol Foundation for the Visual Arts, and the Cullen Foundation.

2019-2020
Douglas Ewart, George Lewis, & Douglas Repetto
People Like Us (Vicki Bennett)
John Oswald

Douglas Ewart - Rio Negro
Douglas Ewart, George Lewis,
& Douglas Repetto
Rio Negro installation view
2012-2015
Emily Vey Duke & Cooper Battersby
Elliott Sharp with Buffalo Improvisers Orchestra
Deborah Stratman

Emily Vey Duke and Cooper Battersby
Emily Vey Duke & Cooper Battersby
still from Here Is Everything
2011-2014
Sarah Baker
Clifton Childree
Cooper-Moore
Wadada Leo Smith (Chamber Music America Jazz Presenting grant only; no NEA)

Wadada Leo Smith
Wadada Leo Smith
2010-2011
Marla Hlady
Brent Green
Burnt Sugar the Arkestra Chamber

Marla Hlady - detail from Walls
Marla Hlady, detail from drawing for Walls
2009-2010
Kevin Jerome Everson
Sam Van Aken
Jin Hi Kim
Keven Everson -- still from Erie
still from Kevin Everson's Erie
2008-2009
Siebren Versteeg
Roscoe Mitchell
Jesse Webber
Jesse Webber, print
Jesse Webber, print from you can't smoke in here mr.
corbusier, you'll burn this mother down
, 2008
2007-2008
Douglas Ewart
Jim Finn
Christina West
Jim Finn, still from The Juche Idea, 2008
2006-2007
Butch Morris
Mark Street
Kirsten Reynolds
Julio César Morales
Julio César Morales, part of The Year
of the Diamond Dogs
installation, 2007
2005-2006
Roswell Rudd
Naomi Uman
Eric Brown
Margaret Cogswell
Pat Oleszko
Eric Brown, Terminals installation, 2007
2004-2005
Thomas A. Harris
Frederick Hayes
Michelle Hines
Frederick Hayes installation, 2006
2003-2004
Zoe Beloff
Jennifer McMackon
David Brody
William Parker
Stephen Vitiello
Jennifer McMackon, 2003
2002-2003
Kevin Ei-Ichi deForest
Tina Gharavi
Karen Henderson
Bobby Previte
Karen Henderson installation, 2002
2001-2002
Deborah Aschheim
Itty Neuhaus
Homer Jackson
Itty Neuhaus, Squeeze installation, 2001
2000-2001
Larissa Marangoni
Charles Goldman
Peggy Shaw & Lois Weaver (Split Britches)
John Knecht
Eileen Myles
Eileen Myles
1999-2000
Johnna MacArthur
Crane/Winet (Margaret Crane & Jon Winet)
Hilla Lulu Lin
Odean Pope
Austin Allen
Odean Pope Buffalo Saxophone Choir, UB's Baird Hall, 2001
1998-1999
Beth Tauke & Mary Lum
Maria Elena Gonzales
Marìa Magdalena Campos-Pons
Kahil El'Zabar
Kahil El'Zabar
1997-1998
Susan Stoltz & Melissa Burch
Shawna Dempsey & Lorrie Millan
Pauline Oliveros
Pauline Oliveros
1996-1997
The Art Guys (Jack Messing & Michael Galbreth)
Liz Young
Liz Young, Skin Inn performance, 1997
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.β€”Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from May. 10, 2019
through Jun. 28, 2019
 

Ashley Smith
Three Fold Form


Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.
 

Stephanie Rohlfs
Put One Over


Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...
 
 
 
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Tickets online now for:

5/30/19: AHA!: Annual Hallwalls Auction!