Media Arts Program
 

Tuesday, March 14, 1989 — Friday, March 24, 1989

HOME VIDEO THEATER, THE DEVIL'S WORKSHOP, VIDEOTAPES YOU CAN TAKE HOME WITH YOU!

Presented at:
Hallwalls

Videos from past programs available for viewing including WEATHER DIARY (George Kuchar, 1988); JAR FULL OF JAM (Tony Labat, compilation from 1980-1988); STEW #13 (Martin Hallinger, 1988); SECOND SSIIGTHET (Michael J. Collins, 1988); CENTRIPITAL FORCE COMPILATION: HOW OT MAKE FRIEDS (Lindel Gum, 1987); FILM HISTORY PART 1 (James Morgan, 1987); TUGGING THE WORM (James Duesing, 1987); WATCHING TV: CHANNELED TIME/FANTASY SPACE (Pam Falkenberg, 1987); THE ZOO (Kevin McMahon, 1987); POLITICS OF INFORMATION COMPILATION: RACE AGAINST PRIME TIME (David Shulman, 1984); IF IT'S TOO BAD TO BE TRUE, IT COULD BE DISINFORMATION (Martha Rosler, 1985); CONTINUOUS ENTERTAINMENT (Lee Murray and David Smith, 1987); THEY SAY THEY WILL (Zone Productions, 1987); INFERMENTAL VII: 3-tape compilation of video by 58 artists from 17 countries, produced and curated for Hallwalls by Chris Hill.


Some publications related to this event:
March, 1989. - 1989

 
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from Jan. 10, 2020
through Feb. 28, 2020
 

Sarah Sutton
Knots and Pulses


This exhibition by Ithaca-area artist Sarah Sutton will feature a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.
 

Katie Bell
Abstract Cabinet


Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.