Media Arts Program

Friday, January 26, 2007 — Sunday, January 28, 2007


Presented at:

Still from Ryan Tebo's I Am Hearing the Last Bird

Resolutions 07 will take place at Hallwalls on Friday, January 26 and Saturday, January 27. This year marks our third festival, which showcases media art by both emergent and established makers from Buffalo and beyond. During this two-day event, 28 artists will present original works. Each evening includes an hour-long screening of short films and videos, with installations on view in The Lounge at Asbury Hall. Please join us for our annual media arts festival that highlights the experimental and resolutely unique!

Friday January 26th 2007

So Much to Say (John Marriott); Cocteau Cento (Dan Boord and Luis Valdovino); 13W (Sharon Mooney); Impetus I (Justin Hellickson); Compulsory Figures (Becca Albee); Between Two Deaths (Wago Kreider); thereabouts (Peter Byrne, Ethan Borshansky and Carole Woodlock); Lighting Fields (Rudy Lemcke); Sister Cities (Joe Merrell); Through These Trackless Waters (Elizabeth Henry)

Still from Becca Albee's Compulsory Figures

Saturday January 27th 2007

Unfurling (Martha Gorzycki); Citizen Dandy (Michael Klein); Prickle Britches (Jill Johnston-Price); Journey of the Invisible Gaze (Karen Brummund); Petrified Unrest (Stefani Bardin); I Am Hearing the Last Bird (Ryan Tebo); Atlas (Chris Ernst); Michacan: La Muerta and Michoacan: El Traidor (Sabine Gruffat and Ben Russell); Midden (David Dinnell)


Because You Asked (Alan Bigelow); Metales, Plasticos, Vidrios, Organicos (Courtney Grim); Temporal Lexicon (Sarah Howell); Conquest of the Air (Andrew Kaufman); Loud and Clear (Dietmar Krumrey)

Because You Asked (Alan Bigelow); Feet_Object_Surface (Sarah Howell)

Follow this link for detailed program information - >

Some publications related to this event:
January, 2007 - 2007

t: 716-854-1694
f: 716-854-1696

Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

from May. 10, 2019
through Jun. 28, 2019

Ashley Smith
Three Fold Form

Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.

Stephanie Rohlfs
Put One Over

Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...