Friday, November 2, 2018 at 8:30 p.m.
FREE

Bruce Adams, Buffalo Spree, 11/5/2018: "An underground art film for Lennon fans. Greg Sterlace has made a total of five movies, but unless you were in the first four, there’s no particular reason to see those homemade, no-budget videos. If that offends Sterlace, this may be of some consolation: with his fifth film—Catcher in the Rye with Diamonds—the auteur has struck gold. Along with his wife and co-screenwriter Paula Wachowiak, Sterlace explores the relationship between Mark David Chapman, who shot John Lennon in New York City in 1980, and the book the assailant claimed he was playing out. Produced over a five-year period, and filmed in Buffalo, Niagara Falls, Amherst, Akron, and New York City, this is Sterlace’s [magnum] opus.
"Sterlace focuses on the many strange correlations between the novel and Chapman’s story, with an often-surreal narrative, using a montage of vintage clips, music, acted scenes, and photos. Everything in the film is based on true-life aspects of the crime, or related trivia (including Beatles Easter eggs for hardcore fans).
"Impressively edited by Loretta Michaels (who learned the skill for the project), it’s uniformly well-acted, with John F. Kennedy (yes, that’s his real name) a standout as Chapman[/Holden Caulfield]. And here’s the kicker: Sterlace does not charge to see the film, because all of it was done without copyright consent (particularly problematic with the J.D. Salinger dialogue [and voiceover narration]). One of the film’s rare screenings occurred last Friday at Hallwalls Contemporary Arts Center. There will be another one December 8th, [2018] (the date Lennon was killed) at 7 p.m. at the Screening Room at the Boulevard Mall. Free admission for all, with live music from Joni Russ half an hour prior.
"Be forewarned; this is not a Hollywood production, nor is it pretending to be, and judging the film by that standard is unfair. This is a work of video art, comparable to what artists like Michael Smith, Claudia Joskowicz, or Ryan Trecartin do. In an article in The Public, Sterlace says, “It’s about Chapman looking back now [from Wende Correctional facility in Western New York] at how he was feeling when he shot Lennon,” Sterlace says. “It’s a double period piece [1980 and 1951] in color and black and white. It’s a Christmas movie that I hope will be a holiday perennial for years to come.”
