Music Program

Saturday, May 9, 2015 at 8:00 p.m.

$10 general, $5 for AK Members

To learn more about the benefits of becoming a member, please click here.

ICP Orchestra


Albright-Knox Art Gallery Auditorium, 1285 Elmwood Ave, Buffalo

ICP Orchestra
Han Bennink (drums)
Ab Baars (clarinet, tenor sax)
Tobias Delius (tenor saxophone)
Ernst Glerum (double-bass)
Thomas Heberer (trumpet)
Tristan Honsinger (cello)
Michael Moore (saxophones, clarinet)
Mary Oliver (violin)
Wolter Wierbos (trombone)
Guus Janssen (piano)

The ICP (Instant Composers Pool) Orchestra has achieved international acclaim for its sophisticated improvisations, its ingenious interpretations of works by landmark composers such as Duke Ellington and Thelonious Monk, and the band members' extraordinary level of musicianship. This Amsterdam-based group is a blend of European improvised music, jazz music, and the irreverent attitude of the Dutch, which all combine into a highly refined, yet enjoyable musical style that has astonished and impressed music lovers for several decades. Don't miss this opportunity to experience the music of this unique group on their final North American tour.

Tickets can be purchased at the AK Admissions Desk, or by phone at 716.270.8292. Tickets will also be sold at the door.

This concert is generously sponsored by David Kennedy.

t: 716-854-1694
f: 716-854-1696

Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

from May. 10, 2019
through Jun. 28, 2019

Ashley Smith
Three Fold Form

Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.

Stephanie Rohlfs
Put One Over

Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...