Literature Program
 

Friday, November 2, 2018 at 4:00 pm

Joseph Valente

Scholars @ Hallwalls

Hallwalls Contemporary Arts Center, a space for experimental art, music, and film located in the heart of downtown Buffalo at Delaware and Tupper, is the perfect setting for the eighth year of the Humanities Institute's Scholars@Hallwalls lecture series. These monthly presentations feature one fellow's research in an engaging lecture with lively follow-up conversation. This year's lineup highlights the interdisciplinary range of humanities research at UB.

Talks are on Friday afternoons at 4 pm and are free and open to the public. Complimentary wine and hors d'oeuvres are served. Please join us for any or all of the Scholars@Hallwalls talks!

"Better Now? Recovery Anxiety in the Writing of Autism"

Joseph Valente, English

Autistic narratives unfold under the dueling pressures of diagnostic and literary expectation. The diagnostic expectation holds autism to be a life-long proposition: either a permanent disorder that may be ameliorated but never dissipated or a distinctive mode of being that should never be dissipated but must be accommodated. The literary expectation—set by the mass audience for auto-biographies and the hortatory tradition of disability writing—is that autistic protagonists will conquer the adversity of their the condition and achieve something like a "recovery." This lecture explores how the tension between these disciplinary imperatives structures current autistic memoirs.

 
 
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GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
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IN THE GALLERY
from May. 10, 2019
through Jun. 28, 2019
 

Ashley Smith
Three Fold Form


Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.
 

Stephanie Rohlfs
Put One Over


Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...