Literature Program
 

Friday, February 1 at 4:00 p.m.

Yan Liu

Scholars @ Hallwalls

Hallwalls Contemporary Arts Center, a space for experimental art, music, and film located in the heart of downtown Buffalo at Delaware and Tupper, is the perfect setting for the eighth year of the Humanities Institute's Scholars@Hallwalls lecture series. These monthly presentations feature one fellow's research in an engaging lecture with lively follow-up conversation. This year's lineup highlights the interdisciplinary range of humanities research at UB.

Talks are on Friday afternoons at 4 pm and are free and open to the public. Complimentary wine and hors d'oeuvres are served. Please join us for any or all of the Scholars@Hallwalls talks!

"Use poison to attack poison: Medicine, illness, and society in early imperial China"

Yan Liu, History

How does medicine help us understand society? Using Chinese medicine as an example, my talk shows the conception of illness and the therapeutic rationale of deploying poisons in first-millennium China. Liu identifies a striking parallel: Just like doctors' use of potent drugs to eliminate malign entities out of a physical body, the state established stringent policies to expel poisoners, especially women poisoners, to remedy a social body. The medical use of poisons in China, therefore, reveals the far-reaching repercussions of the ideas of illness and therapy in social imagination and political ruling.

 
 
341 DELAWARE AVE.
BUFFALO, NY 14202
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GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from May. 10, 2019
through Jun. 28, 2019
 

Ashley Smith
Three Fold Form


Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.
 

Stephanie Rohlfs
Put One Over


Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...