Literature Program

Friday, March 29 at 4:00 p.m.

Charles L. Davis, II

Scholars @ Hallwalls

Hallwalls Contemporary Arts Center, a space for experimental art, music, and film located in the heart of downtown Buffalo at Delaware and Tupper, is the perfect setting for the eighth year of the Humanities Institute's Scholars@Hallwalls lecture series. These monthly presentations feature one fellow's research in an engaging lecture with lively follow-up conversation. This year's lineup highlights the interdisciplinary range of humanities research at UB.

Talks are on Friday afternoons at 4 pm and are free and open to the public. Complimentary wine and hors d'oeuvres are served. Please join us for any or all of the Scholars@Hallwalls talks!

"The Spatial Allegories of Frank Lloyd Wright's Prairie Style Architecture"

Charles L. Davis, II, Architecture

This presentation examines the racial politics of space that were manifest by Frank Lloyd Wright's vision of a Prairie Style architecture. While the American prairie was spatially defined by the wide-open spaces that inspired the horizontal massing and flowing interior spaces of this style, it was also the site of a dramatic social struggle between white settlers and non-white natives competing for land. Davis argues that Wright's separation of the symbolically 'white' served spaces and the 'non-white' servant spaces of the home constitutes a spatial allegory of the racial competitions that defined life in the Midwest. This reading invites a reassessment of the ways Wright's style represents the central values of American democracy.

Charles L. Davis, II bio.

t: 716-854-1694
f: 716-854-1696

Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

from May. 10, 2019
through Jun. 28, 2019

Ashley Smith
Three Fold Form

Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.

Stephanie Rohlfs
Put One Over

Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...