Literature Program
 

Friday, April 12 at 4:00 p.m.

Mary Nell Trautner

Scholars @ Hallwalls

Hallwalls Contemporary Arts Center, a space for experimental art, music, and film located in the heart of downtown Buffalo at Delaware and Tupper, is the perfect setting for the eighth year of the Humanities Institute's Scholars@Hallwalls lecture series. These monthly presentations feature one fellow's research in an engaging lecture with lively follow-up conversation. This year's lineup highlights the interdisciplinary range of humanities research at UB.

Talks are on Friday afternoons at 4 pm and are free and open to the public. Complimentary wine and hors d'oeuvres are served. Please join us for any or all of the Scholars@Hallwalls talks!

"Transforming Medical Problems into Legal Problems"

Mary Nell Trautner, Sociology

Why do some medical problems become legal problems and others do not? This project is based on interviews with 100 parents of children who experienced the same kind of birth injury about their decisions whether or not to pursue legal action against their doctor. Trautner examinex three important influences on parents' decision making: state-level political and media culture, online social networking sites, and intimate social support networks. Whether parents frame their child's injury as a legal problem, medical problem, or personal failing can lead to drastically different actions and outcomes for families and children.

 
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from May. 10, 2019
through Jun. 28, 2019
 

Ashley Smith
Three Fold Form


Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.
 

Stephanie Rohlfs
Put One Over


Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...