publications
 
May, 2002



Hallwalls Calendar: May, 2002

Artists associated with this publication:
Josephine Anstey, Paul Vanouse, Carlos Szembek, Chris Coleman, Paul Costa, Chris Galbraith, Ivan Itchkawich, Young-Seok Kim, Adrian Levesque, Amit Makwana, Dan Neveu, Sara Nohejl, Dave Pape, Josh Penfold, Richard Schuster, Mike Venezia, Renee Bieron, Joe Engelhaupt, Ryan Ettipio, Jason Lecht, Darren Lee, Ann Marie Lepkyj, Dan Medina, Sharon Poon, Ryan Schoelerman, Beth Stolzman, Jennifer Wiegand, Coleman Haus, Ben Julian, Lindsay Stern, Jeff Taylor, Bobby Previte, John Bacon, Greg Piontek, Mike Wagner, Joe Rozler, Geoffrey Fitzhugh Perry, Chu Nero, Ron Locurto, Clifton Jackson, Ringo Brill, Mike Allard, Steve Baczkowski, Elisabeth Samuels, Pat McDermott, Lee Boroson, Eliza Griffiths, Bobby Previte's Voodoo Orchestra, Katarina Wong, Samantha Simpson, Rosemary K. Lyons, Jayne Pagnucco, Matthew SaGurney


Some events connected to this publication:
May 2, 2002 - BOBBY PREVITE'S VOODOO ORCHESTRA PRESENTS MILES DAVIS' BITCHES BREW
May 3, 2002 - THE VIRTUAL AND THE CONCRETE:
May 4, 2002 - THE VIRTUAL AND THE CONCRETE:
May 5, 2002 - CINCO DE MAYO
May 6, 2002 - BLUE VINYL
May 11, 2002 - VAGINA DIALOGUES
May 25, 2002 - ELIZA GRIFFITHS 1995-2002
May 25, 2002 - SAMANTHA SIMPSON: THE SNAKE CYCLE
May 29, 2002 - OPEN SLIDE FORUM



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Ashley Smith
Three Fold Form


Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.
 

Stephanie Rohlfs
Put One Over


Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...