May, June and July, 1982.

P.D. Burwell performs at Hallwalls, 1982.
P.D. Burwell performs at Hallwalls, 1982.

Hallwalls Calendar: May, June and July, 1982.

Artists associated with this publication:
Constance De Jong, Bill Huggins, Ken Rowe, Bill Herod, John Toth, Brian Duffy, Barbara Rowe, Andrew Topolski, E. McLindon Kintner, Kevin Kintner, Francis Andren Dessingue, Patrickjon Mills, Russell C. Floersch, Daniel Mark Graham III, Barbara Broughel, P.D. Burwell, Michael Sticht, Kastle Brill, Susan Roth, Vincent Garrano, David L. Stabley, Roberto Pacheco, Louis Grenier, Colleen Maroney Fahey, Bruce W. Sodervick, Anne D. Kashin, Susan Webb Tregay, Julie M. Simonetti, Laura Maurer, Jonathan Baumbach, Nancy Golden, Susan Barnes, Becky Koenig, Asmed Ramen, Michael Kanavel, Stewart Shephard, Dinosaur and Friends, Tony Billoni, Paul Szp, Mariam Stillerman, Nancy Golden, Bill Guercio, Colleen Mullen, Mitzi Smyntek, George Scherer, Ralph Arrington, Barbara Broughel, Tony Conrad, Craig Davison, Bill Orcutt, Kathy High, Erich Hagar, Russ Shonwetter, Fred Levinson, Pat Sandor, Michael Gregor, Julie Powell, Marc Weinstein, Jack Nadolinski, Bill Baer, Rachel Weinstein, Mark Freeland, Bernie DeVille, Anita DeVille, Ed Besch, Brian Szpakowski, Alan Percy, Julius Hubler, Daniel Levine

Some events connected to this publication:
May 6, 1982 - P.D. BURWELL
May 7, 1982 - SUMMERSPACE
May 8, 1982 - LOUIS GRENIER
May 13, 1982 - FICTION DICTION
May 20, 1982 - STU SHEPARD
May 21, 1982 - SUMMERSPACE
June 4, 1982 - SUMMERSPACE
June 18, 1982 - SUMMERSPACE
July 2, 1982 - SUMMERSPACE
July 16, 1982 - SUMMERSPACE

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Ashley Smith
Three Fold Form

Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.

Stephanie Rohlfs
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Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...