publications
 
March, 1985.


Still from Cecelia Condit's film
Still from Cecelia Condit's film "Possibly in Michigan"

Hallwalls Calendar: March, 1985.

Artists associated with this publication:
Claudia Looze, William Thayer, Cathy Cook, Paul Dickinson, Steve Buscemi, Valerie Charles, Larry Tighe, Sanghi Wagner, Scott Johnson, Patrick McGrath, Ronald Ehmke, Cecelia Condit, Bruce Yonemoto, Norman Yonemoto, Joe Andoe, Dennis Barraclough, Chris de Boschnek, Pam Glick, Frank Holliday, Ruth Kahn, Dennis Kardon, Sharon Lawless, Nachume Miller, Ron Morosan, Kent Shell, David Storey, Levent Tuncer, Jonathan Waite, David Wilson, Jackie Felix, John Jesurun, Marina Abramovic, Ulay, Gustav Hamos, Michael Klier, Marcel Odenbach, Klaus vom Bruch, Vito Acconci, Richard Foreman, Robert Wilson


Some events connected to this publication:
February 9, 1985 - JACKIE FELIX
February 9, 1985 - RELATIVE MEANING: THE FIGURE IN CONTEXT
March 8, 1985 - JOHN JESURUN: RIDERLESS HORSE
March 13, 1985 - PERFORMANCE, THEATER, VIDEO: ACCONCI, FOREMAN, WILSON
March 13, 1985 - PERFORMANCE, THEATER, VIDEO: ACCONCI, FOREMAN, WILSON
March 15, 1985 - FICTION DICTION
March 19, 1985 - CECELIA CONDIT
March 22, 1985 - BRUCE AND NORMAN YONEMOTO
March 23, 1985 - SCOTT JOHNSON
March 30, 1985 - PAST AND FUTURE PERFECT
March 30, 1985 - ED GNIRKE: CREATION OF ANIMALS
March 30, 1985 - ALFONSO VOLO
March 31, 1985 - FROM MILWAUKEE: CLAUDIA LOOZE, WILLIAM THAYER, CATHY COOK, AND PAUL DICKINSON



Hallwalls' Digital Archives were established to enhance public access to cultural content and are intended for noncommercial use only; copyright for any work on these pages remains with the original artists or their estates.
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from May. 10, 2019
through Jun. 28, 2019
 

Ashley Smith
Three Fold Form


Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.
 

Stephanie Rohlfs
Put One Over


Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...