HEY G - 2004_9.10.11.ForWeb.jpg October and November, 2004. - Hallwalls
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October and November, 2004.


Hallwalls Calendar: September, October and November, 2004.

Artists associated with this publication:
Edmund Cardoni, Franny Armstrong, Steve Reinke, Deco Dawson, Nelson Henricks, David Clark, Sarah Carne, Steve Hawley, Effie Gibson, Lily Markiewicz, Paul Bush, Lisa Steele, Velveeta Crisp, Jacques Thelemaque, Mark Achbar, Jennifer Abbott, Joel Bakan, Misha Manson-Smith, Bruce Jackson, Lars Von Trier, Jorgen Leth, Joseph Mealey, Michael Shoob, Dan Olman, Sarah Price, Chris Smith, James Miller, Phil Solomon, Dave Burrell, Full-Blown Trio, Ben Marcus, Matt McCormick, David Greenberger, Paul Sharits, Jozef Robakowski, Bobby Bradford, Frode Gjerstad Trio, Steve Tomasula, Fred Andersen, DeeDee Halleck, Stan Brakhage, Willem Breuker, Hermine Deurloo, Maarten van Norden, Boy Raaymakers, Andy Altenfelder, Andy Bruce, Bernard Hunnekink, Arjen Gorter, Henk de Jonge, Rob Verdurmen, Saadet Turkoz, Larry Ochs, Lisle Ellis, Donald Robinson, Steve Swell, Nate Wooley, Tatsuya Nakatani, Dave Burrell, William Parker, Andrew Cyrille, Cooper-Moore, Tom Abbs, Chad Taylor, Bobby Bradford, Frode Gjerstad, Oyvind Storesund, Paal Nilsen-Love, Fred Anderson, Hamid Drake, David Greenberger, Courtney Von Drehle, Bela Balogh, Michael Papillo, Craig Martin, Gary Irvine, Ed Rogers, Catherin Faust, Cindy Sherman, Carlo Cesta, Allen Topolski, Alfonso Volo, Suzy Lake, Laurel Farrin, Michelle Hines, Frederick Hayes, Eric Brown, Margaret Cogswell, Ben Marcus, Steve Tomasula, Christina Milletti




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IN THE GALLERY
from Jan. 10, 2020
through Feb. 28, 2020
 

Sarah Sutton
Knots and Pulses


This exhibition by Ithaca-area artist Sarah Sutton features a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.
 

Katie Bell
Abstract Cabinet


Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.