publications
 
October, 2002



Hallwalls Calendar: October, 2002.

Artists associated with this publication:
John Tchicai, Bill Daniel, Vanessa Renwick, Matokie Slaughter, Miranda July, Lourdes Portillo, William T. Vollmann, Dawn Smallman, Richard Tracy, Bryan Boyce, Sheila Heti, Garrett Kalleberg, Ted Pearson, Karen Finley, Kevin Ei-ichi Deforest, Cooper-Moore, Tom Abbs, Chad Taylor, Burton Greene, Perry Robinson, Jay Rozen, Kevin Norton, Karen Henderson, Fred Bacher, Beatrice Fegal, Alice Guinane, Reynold F. Jennetti Jr., Melissa Mantione, Judy Picun, Denise Sansonese, Jacqueline Schertz, Paul Smoker, Adam Lane, Barry Altschul


Some events connected to this publication:
September 14, 2002 - KEVIN EI-ICHI DEFOREST AND KAREN HENDERSON
September 27, 2002 - TUVALU
October 3, 2002 - 2002 PROGRESSIVE AWARDS
October 4, 2002 - COOPER-MOORE TRIO
October 6, 2002 - DEAF ART: CULTURE, COMMUNICATION, CONNECTION
October 11, 2002 - KLEZ-JAZZ
October 15, 2002 - ADAM LANE QUARTET
October 19, 2002 - LUCKY BUM FILM TOUR
October 20, 2002 - TRAMPOLINE HALL LECTURE TOUR
October 24, 2002 - SENORITA EXTRAVIADA/MISSING YOUNG WOMEN
October 24, 2002 - TED PEARSON AND GARRETT KALLEBERG
October 25, 2002 - FRED BACHER: MAJOR STATEMENT MAN
November 7, 2002 - KAREN FINLEY: THE DISTRIBUTION OF EMPATHY



Hallwalls' Digital Archives were established to enhance public access to cultural content and are intended for noncommercial use only; copyright for any work on these pages remains with the original artists or their estates.
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from May. 10, 2019
through Jun. 28, 2019
 

Ashley Smith
Three Fold Form


Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.
 

Stephanie Rohlfs
Put One Over


Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...