publications
 
May and June, 1998


Invitation to exhibition, 1998.
Invitation to exhibition, 1998.

Hallwalls Calendar: May and June, 1998.

Artists associated with this publication:
Jimmie Margaret Gilliam, Ann Haskell, Maggie Vaughn, Roxanne Amico, Wayne Alt, Elaine Chamberlain, Tom Potts, Kevin Kresse, Carlos Martinez Suarez, Juan Balboa, Olenka Bodnarskyj, Leah Rico, Joseph Bergel, Amy Hufnagel, Julie Grossman, Michael Moore, Ernst Reijseger, Han Bennink, John Boyle, Hugh McIntyre, John Clement, Murray Favro, Art Pratten, Billy Exley, Mark Dresser, Ray Anderson, Eddie Henderson, Francesca Tanksley, Ellery Eskin, Billy Harper, Rob Brown, Lou Grassi, Kim Waale, Leandro Soto, Alfonso Volo, Laila Voss, Tim Collins, Reiko Goto, Bob LaBobgah, Eric Rippert, Mary Jo Toles, Carolyn Speranza, Alberto Rey, Arthur Reif, Ken Nevadomi, Angelo Ciotti, Karen Snouffer, Ann Pibal, Jackie Felix, Edward Kerr, Johnny Coleman, Katie Bazis, Stuart Horodner, Sara Kellner, Mark Dean Veca, Sean Watson, Yukinori Yanagi, Gerhard Mayer, Francois Morelli, Joyce Pensato, Luca Buvoli, Charles Goldman, Johnna MacArthur, Clusone Trio, Nihilist Spasm Band, Billy Harper Quintet, Gerry Hemingway Quartet, Bruce Eisenbeil Trio, Brian Kindzierski, David Kennedy, Paul Sharits, Tony Conrad, Blithe Riley, Eve Heller, Sheri Celentano, Bonnie Butkas


Some events connected to this publication:
April 4, 1998 - RELAY: DRAWN TO READYMADE
April 30, 1998 - MAY EVE: THREE SOUTHERN WOMEN
May 1, 1998 - EVE HELLER
May 2, 1998 - FOR EDUCATIONAL PURPOSES ONLY
May 8, 1998 - LEXINGTON DANCE COLLECTIVE
May 11, 1998 - CHIAPAS, MEXICO: TESTIMONIES ABOUT THE MASSACRE AT ACTEAL CHENALHO, CHIPAS
May 12, 1998 - INTERPROV:
May 13, 1998 - INTERPROV:
May 14, 1998 - INTERPROV:
May 15, 1998 - INTERPROV:
May 16, 1998 - INTERPROV:
May 29, 1998 - ARTISTS AND MODELS AFFAIR: LEGEND, LIES AND MYTHS
June 13, 1998 - REGIONAL FORECAST: BUFFALO, CLEVELAND, AND PITTSBURGH
June 17, 1998 - OPEN SLIDE FORUM



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IN THE GALLERY
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Ashley Smith
Three Fold Form


Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.
 

Stephanie Rohlfs
Put One Over


Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...