publications
 
November, 1999


Jung Hyang Kim exhibition invitation, 1999.
Jung Hyang Kim exhibition invitation, 1999.

Hallwalls Calendar: November, 1999.

Artists associated with this publication:
Gary Nickard, Elka Kazmierczak, Norma Kassirer, Gabrielle Burton, Ann Goldsmith, Franklin LaVoie, Ould Pound, Rose Troche, Sam Easterson, Joe George, Miguel Littin, Kirsten Stoltmann, Shelley Niro, Neto Hatinakwe Onkwehowe, Fred Bacher, Pat Doyen, Michael Bermingham, Colleen O'Brien, Bonfire Madigan, Madigan Shive, Carl Theodor Dreyer, Lindsay Marsak, Elizabeth Foley, Lizzie Finnegan, Sandra Fisher-Kitaj, Kevin Whitehead, Olenka Bodnarskyj-Gunn, Cecilia Vicuna, Ernst Reijseger, Ernst Reijseger Trio, Georg Graewe, Gerry Hemingway, John Cage, George Crumb, Morton Feldman, Vinny Golia, Jonathan Golove, David Kennedy, Matthew Heyner, Tom Bruno, Daniel Carter, Sabir Mateen, Manuel Mancillas, Lamidi Fakeye, Amanda Jarosz, Jung Hyang Kim, Alberto Rey


Some events connected to this publication:
November 2, 1999 - ZOPILOTE
November 3, 1999 - HONEY MOCCASIN
November 4, 1999 - THE JACKAL OF NEHUELTORO
November 5, 1999 - SAM EASTERSON
November 10, 1999 - BURTON, GOLDSMITH AND KASSIRER
November 11, 1999 - BEST OF NEW DUTCH SWING: PROGRAM # 3
November 12, 1999 - CONSUMING PASSIONS
November 13, 1999 - ALBERTO REY
November 13, 1999 - ALERTO REY OPENING RECEPTION
November 13, 1999 - JUNG HYANG KIM
November 13, 1999 - KIRSTEN STOLTMANN
November 17, 1999 - PLATFORM
November 18, 1999 - TEST
November 20, 1999 - HALLWAYS AND BEDROOMS
December 5, 1999 - UB NEW MUSIC ENSEMBLE



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IN THE GALLERY
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through Jun. 28, 2019
 

Ashley Smith
Three Fold Form


Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.
 

Stephanie Rohlfs
Put One Over


Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...