April, 2009

Photo of Cecil Taylor by Hans Speekenbrink
Photo of Cecil Taylor by Hans Speekenbrink

Hallwalls Calendar: April, 2009.

Artists associated with this publication:
Cecil Taylor, Jihye Chang, Ab Baars, Ken Vandermark, Wilbert de Joode, Martin van Duynhoven, Mats Gustafsson, Ingebrigt Håker Flaten, Paal Nilssen-Love, Tony Arnold, Randy Andre, Drew Burke, Christopher Culp, Amanda DeBoer, Rin Ozaki, Diana Soh, Laura Neese, Marjane Satrapi, Gunilla Theander Kester, John Marvin, Jean-Pierre Bobillot, Isabel Allende, Nathaniel Freeman, Christopher Becks, Gwen Haworth, Chris Felver, Lynne Sachs

Some events connected to this publication:
March 7, 2009 - Nathaniel Freeman Killing Rolando
April 1, 2009 - Marjane Satrapi Babel
April 3, 2009 - Gwen Haworth She's A Boy I Knew
April 4, 2009 - Jihye Chang Solo Piano
April 10, 2009 - Chris Felver Cecil Taylor: All The Notes
April 15, 2009 - Gunilla Theander Kester & John Marvin The Gray Hair Reading Series
April 16, 2009 - Jean-Pierre Bobillot Sound poetry performance
April 17, 2009 - Isabel Allende Babel
April 18, 2009 - Cecil Taylor Solo Piano
April 21, 2009 - Ab Baars Trio w/ Ken Vandermark
April 22, 2009 - The Thing
April 23, 2009 - Lynne Sachs The Last Happy Day and other films
April 24, 2009 - Migrating Media: Upstate Preservation Network PROJECT LAUNCH!
April 28, 2009 - Babel
April 30, 2009 - Buffalo Academy for Visual and Performing Arts High School & Middle School Guitar & String Ensembles

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Ashley Smith
Three Fold Form

Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.

Stephanie Rohlfs
Put One Over

Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...