HEY G - 2003.Clementine.ForWeb.jpg CLEMENTINE @ HALLWALLS - Hallwalls
publications
 
CLEMENTINE @ HALLWALLS

Published in 2003
Curated by John Massier

CLEMENTINE @ HALLWALLS (February 15-March 29, 2003) Hallwalls Inc, Buffalo, NY, 2003. [A twelve page color booklet published in conjunction with the exhibition of the same title. Includes an introduction by John Massier (Curator, Hallwalls) and photographs of the artist's work.]

Artists associated with this publication:
Reed Anderson; Nina Bovasso; Steve DeFrank; Rob de Mar; Andrew Ehrenworth; Neil Farber; Daniel Heimbinder; Elizabeth McIntosh; Sam Prekop; Ashley Prine; David Rathman; Lordy Rodriguez; Michael Wetzel; Benji Whalen; and Wayne White


Some events connected to this publication:
February 15, 2003 - CLEMENTINE AT HALLWALLS



Hallwalls' Digital Archives were established to enhance public access to cultural content and are intended for noncommercial use only; copyright for any work on these pages remains with the original artists or their estates.
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from Jan. 10, 2020
through Feb. 28, 2020
 

Sarah Sutton
Knots and Pulses


This exhibition by Ithaca-area artist Sarah Sutton will feature a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.
 

Katie Bell
Abstract Cabinet


Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.