Science & Art Cabaret

Wednesday, April 7, 2010 at 7:00 p.m.

Free admission & cash bar

UB College of Arts and Sciences, Buffalo Museum of Science, Babeville, & Hallwalls present

Science & Art Cabaret No. 2: Invisible Worlds

The Ninth Ward at Babeville, 341 Delaware Ave.

Will Kinney
Associate Professor of Physics @ UB whose research focuses on the Early Universe, Dark Matter, and Dark Energy will present
"The Invisible Universe"

Gary Nickard
a teacher in UB's Department of Visual Studies and a conceptual artist committed to exploring the consilience between art and science while simultaneously engaging such diverse topics as literature, philosphy, and music will talk about
"Vision Machines: The Invisible World of Science in Art"

Doreen Wackeroth
a theoretical particle physicist exploring the fundamental laws of nature at particle accelerators such as the CERN Large Hadron Collider and Fermilab Tevatron proton/anti-proton collider and Associate Professor at the UB Department of Physics will talk about
"Unveiling the Invisible World of Subatomic Particles"

David Gutierrez
of The Irving Klaws
will perform on Theremin.

Some publications related to this event:
April and May, 2010 - 2010

t: 716-854-1694
f: 716-854-1696

Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

from May. 10, 2019
through Jun. 28, 2019

Ashley Smith
Three Fold Form

Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.

Stephanie Rohlfs
Put One Over

Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...