Science & Art Cabaret

Wednesday, April 7, 2010 at 7:00 p.m.

Free admission & cash bar

UB College of Arts and Sciences, Buffalo Museum of Science, Babeville, & Hallwalls present

Science & Art Cabaret No. 2: Invisible Worlds

The Ninth Ward at Babeville, 341 Delaware Ave.

Will Kinney
Associate Professor of Physics @ UB whose research focuses on the Early Universe, Dark Matter, and Dark Energy will present
"The Invisible Universe"

Gary Nickard
a teacher in UB's Department of Visual Studies and a conceptual artist committed to exploring the consilience between art and science while simultaneously engaging such diverse topics as literature, philosphy, and music will talk about
"Vision Machines: The Invisible World of Science in Art"

Doreen Wackeroth
a theoretical particle physicist exploring the fundamental laws of nature at particle accelerators such as the CERN Large Hadron Collider and Fermilab Tevatron proton/anti-proton collider and Associate Professor at the UB Department of Physics will talk about
"Unveiling the Invisible World of Subatomic Particles"

David Gutierrez
of The Irving Klaws
will perform on Theremin.

Some publications related to this event:
April and May, 2010 - 2010

t: 716-854-1694
f: 716-854-1696

Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

from Jan. 10, 2020
through Feb. 28, 2020

Sarah Sutton
Knots and Pulses

This exhibition by Ithaca-area artist Sarah Sutton features a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.

Katie Bell
Abstract Cabinet

Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.