Science & Art Cabaret
 

Wednesday, July 13, 2011 at 7:00 p.m.

FREE

Hallwalls, Buffalo Museum of Science, UB College of Arts & Sciences present

Science & Art Cabaret 4.5: THE MAN MACHINE

Buffalo Museum of Science, 1020 Humboldt Parkway

photo by Jiuguang Wang Doors open at 6 pm with $2 tours of the Leonardo da Vinci: Machines in Motion exhibit and free robotics demonstrations from the UB Robotics Team.

Then at 7pm, the Cabaret begins...Admission is free to the cabaret.

Bill Sack and J.T. Rinker will hold forth on "“Robots in the Mist: Generating and Organizing Variety in the Arts with Microprocessors and Artificial Neurons."

Artist Joan Linder will discuss her drawing series "Stripped Bare," produced on location at the University of Buffalo's Gross Anatomy Lab.

Dr. John Grehan, Director of Science and Research, Buffalo Museum of Science discusses the common nature of advancements in science and innovation, using Da Vinci as an example of how far-reaching ideas and prolific works effect centuries of new discovery and innovation.

And a rare concert appearance by Robot Rock Band.

 
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from Jan. 10, 2020
through Feb. 28, 2020
 

Sarah Sutton
Knots and Pulses


This exhibition by Ithaca-area artist Sarah Sutton will feature a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.
 

Katie Bell
Abstract Cabinet


Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.