Science & Art Cabaret
 

Wednesday, July 13, 2011 at 7:00 p.m.

FREE

Hallwalls, Buffalo Museum of Science, UB College of Arts & Sciences present

Science & Art Cabaret 4.5: THE MAN MACHINE

Buffalo Museum of Science, 1020 Humboldt Parkway

photo by Jiuguang Wang Doors open at 6 pm with $2 tours of the Leonardo da Vinci: Machines in Motion exhibit and free robotics demonstrations from the UB Robotics Team.

Then at 7pm, the Cabaret begins...Admission is free to the cabaret.

Bill Sack and J.T. Rinker will hold forth on "“Robots in the Mist: Generating and Organizing Variety in the Arts with Microprocessors and Artificial Neurons."

Artist Joan Linder will discuss her drawing series "Stripped Bare," produced on location at the University of Buffalo's Gross Anatomy Lab.

Dr. John Grehan, Director of Science and Research, Buffalo Museum of Science discusses the common nature of advancements in science and innovation, using Da Vinci as an example of how far-reaching ideas and prolific works effect centuries of new discovery and innovation.

And a rare concert appearance by Robot Rock Band.

 
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from May. 10, 2019
through Jun. 28, 2019
 

Ashley Smith
Three Fold Form


Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.
 

Stephanie Rohlfs
Put One Over


Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...