Science & Art Cabaret

Wednesday, March 9, 2016 at 7:00 p.m.


Hallwalls, Buffalo Museum of Science, Techne Institute, and UB College of Arts & Sciences present

Science & Art Cabaret 17.0: Signal to Noise

The Ninth Ward @ Babeville

Scientists and artists say: Bring on the noise!

Artists and academics will provide diverse perspectives on the science and aesthetics of noise at Buffalo’s next Science & Art Cabaret

Scientists and artists are ready to make, analyze, debate and celebrate noise at “Signal:Noise,” Buffalo’s next Science & Art Cabaret.

The event — free and open to the public — will take place Wednesday, March 9 at 7 p.m. at The Ninth Ward @ Babeville, 341 Delaware Ave., Buffalo.

It will feature will bring together an eclectic cast of artists and researchers to discuss the meaning of noise in a series of entertaining and intellectually provocative talks and performances. There will be a cash bar.

“In ‘Signal:Noise,’ we bring together scientists, musicians and composers to look at noise in all of its manifestations in an original and entertaining way,” says Science & Art Cabaret co-founder Will Kinney, a professor of physics at the University at Buffalo. “We will make music, make noise, dissect it, learn its limits, and most of all have a great time doing it.”

The line-up for the March 9th event:

• Jaric Zola, assistant professor of computer science and engineering at the University at Buffalo, will discuss, “Signal of Life: DNA and Computers.”

• Bill Sack, musician and composer, will present on “Music at Noise, Noise as Music.”

• Kinney, UB professor of physics, will discuss, “Cosmic Noise and the Limit of Knowability.”

• A live performance by the Vorechestra will complete the evening.

“Noise is everywhere,” Kinney says regarding the theme of the night. “It's a fact of life in science, and in art. Every measurement you make in real-world science contains random influences — noise — which needs to be dealt with in some way. This has broad relevance: for example, the margin of error in political polls is a form of statistical noise, as is graininess in photographs, or static on radio or television.

“But noise, even in science, is a matter of perspective: what counts for one person as noise that should be removed might well count as a signal to be studied for another. The parallels to art are obvious, where the distinction between, for example, noise and music, is subjective, and a matter of interpretation.”

Quirky, intellectual and fun, the cabaret is an ongoing collaborative program between Hallwalls Contemporary Arts Center, UB and the Buffalo Museum of Science. Individual “cabarets” are held several times a year, with each bringing together an unusual mishmash of speakers from divergent fields to talk about a common theme.

This ogoing series is made possible with co-sponsorship support from the Techne Institute for Arts and Emerging Technologies in the UB College of Arts and Sciences, and with grants from The John R. Oishei Foundation and The Andy Warhol Foundation for the Visual Arts.


t: 716-854-1694
f: 716-854-1696

Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

from May. 10, 2019
through Jun. 28, 2019

Ashley Smith
Three Fold Form

Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.

Stephanie Rohlfs
Put One Over

Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...