Science & Art Cabaret

Wednesday, March 28, 2018 at 7:00 p.m.


Hallwalls, Buffalo Museum of Science, Technē Institute, and UB College of Arts & Sciences present

Science & Art Cabaret 21: Death

The 9th Ward @ Babeville, 341 Delaware Ave.

For its final event of the season, Buffalo's popular Science & Art Cabaret will invite five creative minds to discuss the theme of "Death," a subject familiar to all, feared by some, and a source of curiosity to many.

Presenters range from the author of a book on high-altitude mountaineering to an artist who creates exquisite pen-and-ink drawing of cadavers. A historian will discuss the quixotic trend of Victorian-era death photography.

The line-up includes:

Elizabeth Mazzolini, University at Buffalo associate professor of English and author of the book, "The Everest Effect: Nature, Culture, Ideology." She will discuss high-altitude mountaineering in a talk titled, "Climbing with Death."

Joan Linder, chair of UB's Department of Art, who addresses death in her work through drawings of the corpses in the UB anatomy lab and the Love Canal disaster. She will deliver a talk titled, "Many Deaths: Corpses, Burial Mounds and Archives."

Erik Seeman, UB professor of history, whose research interests include death. He will discuss Victorian-era death photography in a talk titled, "The Corpse In The Parlor."

Angie Conte, electronic musician, who once told the Queen City webzine, "My sound is kind of what you'd expect to hear at a funeral in outer-space: dreamy and pretty, yet sad and haunting." She will address alternative and home funerals in a presentation titled, "The American Way of Death."

Dave Persons, a former pastor. He will deliver a talk titled, "Looking Forward to Death."

The Science & Art Cabaret is presented by Hallwalls Contemporary Arts Center, the Buffalo Museum of Science, the Technē Institute for Arts and Emerging Technologies at UB, and the UB College of Arts and Sciences.

The event series acts as an ongoing conversation about endless topics across all disciplines, typically bringing together artists and scientists to discuss how their work illuminates a common theme. The series' underlying premise is that intellectual pursuits that appear distinct actually cross paths far more often than presumed and share spheres of interest and meaning.
Since the fall of 2009, the Science & Art Cabaret has tackled a wide panoply of themes — nanotechnology, the brain, sound, hysteresis, modularity, failure, relativity, improvisation, color, skepticism, even James Joyce — but it has never dealt with that most final of final themes.

"It underscores the bottomless well of knowledge we have yet to plumb with this event that, after a couple dozen presentations, we are finally getting around to 'Death,'" says cabaret co-organizer John Massier, visual arts curator for Hallwalls Contemporary Arts Center. "We felt it was an appropriate way to conclude the season and it was fascinating — as it always is with the cabaret — what a wide range of participants and perspectives came together under this theme. That thematic variety is the fuel that keeps our cabaret engine running smoothly so we are always buoyed at the boundless questions that arise in our ongoing pursuit of knowledge."

Co-organizer Will Kinney, UB professor of physics, adds, "Endlessly fascinating, death is both the most familiar and most distant of human obsessions. As a cosmologist, I concern myself with beginnings and endings — the beginning of time, and the end of it, when all the stars have burned out and the universe settles into infinite quiet. Our human lives mirror this in microcosm, and death looms over every human endeavor: scientific, artistic, philosophical. The Science & Art Cabaret is about making connections, and death is the ultimate connection linking us all. Our discussion promises to be lively, informative, and moving."

The Science & Art Cabaret is a presentation of Hallwalls Contemporary Arts Center, the University at Buffalo College of Arts and Science, the Buffalo Museum of Science, and the Technē Institute.

t: 716-854-1694
f: 716-854-1696

Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

from May. 10, 2019
through Jun. 28, 2019

Ashley Smith
Three Fold Form

Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.

Stephanie Rohlfs
Put One Over

Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...