Visual Arts Program
 

Saturday, June 16, 2007 — Saturday, July 21, 2007

Co-sponsored/co-presented by:
The National Endowment for The Arts

Kirsten Reynolds

The Other Last Moment

Presented at:
Hallwalls

Kirsten Reynolds - <em>The Other Last Moment</em>
Kirsten Reynolds - <em>The Other Last Moment</em>
Kirsten Reynolds - <em>The Other Last Moment</em>

Hallwalls Artists in Residence Project

An architecturally-reactive installation, The Other Last Moment continues Reynolds ongoing exploration of the intersections of language, architecture, and the body. The installation will be comprised of architectural structures, faux lumber, actual building materials, and individually-carved comedic, biomorphic creatures. The use of humor and the grotesque combine into an absurd play that ceaselessly questions the systems of thought that formed the original architectural space. Movement of and within structure will also be evident, with work that appears suspended between precarious balance and utter collapse, a continual destruction and recreation of the architecture of self.


Some publications related to this event:
Kirsten Reynolds: The Other Last Moment - 2007
June, 2007 - 2007

 
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from Jan. 10, 2020
through Feb. 28, 2020
 

Sarah Sutton
Knots and Pulses


This exhibition by Ithaca-area artist Sarah Sutton will feature a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.
 

Katie Bell
Abstract Cabinet


Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.