Visual Arts Program
 

Wednesday, February 27, 2013 at 7:00 p.m.

$5

A Mid Winter's Draw: Live Drawing Rally and Silent Auction

Adam Weekley
from A Mid Summer Night's Draw, July 25, 2012
Your opportunity to watch it made, bid, and buy. All live.

36 artists drawing live in two 45 minute sessions, the completed works silent-auctioned, with the opening bids a priced-to-sell $39.

"You can't always get what you want, but if you try sometimes, you just might find, you get what you bid."

Doors open at 7:00 pm
Drawing begins promptly at 7:15
Cash Bar

including: Rita Argen Auerbach, Marie-Claire Bozant, Joel Brenden, Kyle Butler, Scott Bye, Caitlin Cass, Phil Durgan, AJ Fries, Fotini Galanes, Kate Gaudy, Amy Greenan, Michael Hanna, Mickey Harmon, Evan Hawkins, Joyce Hill, Ani Hoover, Billy Huggins, Becky Koenig, Bethany Krull, Mark Lavatelli, Elizabeth Leader, Candace Masters, Gerald Mead, Shasti O'Leary Soudant, Alicia Paolucci, Nancy J. Parisi, Russell Ram, Tara Sasiadek, Gary SczerbaniewiczJason SeeleyJeff Sherven, Chuck Tingley, Rich Tomasello, Kurt Treeby, Alfonso Volo, Adam Weekley, and more …

Music by DJ Arson Daily.

 
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from Jan. 10, 2020
through Feb. 28, 2020
 

Sarah Sutton
Knots and Pulses


This exhibition by Ithaca-area artist Sarah Sutton features a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.
 

Katie Bell
Abstract Cabinet


Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.