Visual Arts Program
 

Wednesday, February 26, 2014 at 6:30 p.m.

$5

Mid-Winter Drawing Rally & Silent Auction

Asbury Hall at Babeville

Drawing by Pete Dako from Summer 2013 Rally.
Your opportunity to watch it made, bid, and buy. All live.

36 artists drawing live in two 45 minute sessions, the completed works silent-auctioned, with the opening bids a priced-to-sell $39.

"You can't always get what you want, but if you try sometimes, you just might find, you get what you bid."

Doors open at 6:30 pm
Drawing begins promptly at 7:15
Cash Bar

including: Bruce Adams, Monica Angle, Dennis Bertram, Marie-Claire Bozant, Joel Brenden, Kyle Butler, Carol Carreno, Caitlin Cass, Emily Churco, Teke Cocina, Tanya Dorph-Mankey, Fotini Galanes, Candida Girling, Amy Greenan, Mickey Harmon, Pat Kewley, Paul Klonowski, Becky Koenig, Marissa Lehner, Rob Lynch, Chris McGee, Tommy Nguyen Smith, Joshua Nickerson, OGRE, Alicia Paolucci, Nancy J. Parisi, Tom Rojek, Frederick Seaton, Katherine Sehr, Kathleen Sherin, Chuck Tingley, Rich Tomasello, Maude White, Catherine Willet, Sara Zak, Nestor Zarragoita.

Music By DJ Undersound.
 
Whole Hog Food Truck in the parking lot.
 
Whole Hog Food Truck

 
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from Jan. 10, 2020
through Feb. 28, 2020
 

Sarah Sutton
Knots and Pulses


This exhibition by Ithaca-area artist Sarah Sutton features a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.
 

Katie Bell
Abstract Cabinet


Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.